My first meeting with this amazing piece of film history was at a screening at Rockefeller Music Hall in Oslo at the All Ears festival in 2003. The screening was accompanied by live improvised music by some of Norways most interesting experimental musicians at the time. Needless to say, this was a cinematic experience outside of the ordinary.

But the film holds up very well on it’s own as well. I have seen it numerous times since this first meeting with the film.

It is an early attempt at what we today would call a documentary. Beginning with plaques, illustrations and tableaus depicting what it claims is a medieval world view, and easing it’s way into superstition around witches and witchcraft. This part is charming enough, but the real gold comes when it flips into staged scenes where actors play out the witches workshop, the witch sabbath (complete with the devil played by the director Benjamin Christensen himself), and of course a tentative witch trial.

The reenacted scenes are surprisingly well done. Not only is the staged setup elaborate and well done, but the performances of the actors are well beyond what is common for films of the time. The version I have from the Criterion Collection is also beautifully tinted in brownish red or blue depending on the scenes atmosphere.

As a documentary it may not have much value today, if it ever had, but as a quaint and entertaining piece of early film history Häxan is gold. Definitely worth watching!

This is one of those films that I was a bit anxious to watch. I’m a big fan of some of David Cronenbergs work, so getting to know he has a son that also is a film director I had to check out some of his work too.

I don’t know why I haven’t known about Brandon Cronenberg before. His debut film, Antiviral was released in 2012, and has completely passed me by for some reason.

And a strong debut it is!

This is one of those films I watched when it first was released, and I remember liking it, but didn’t remember anything of the story. So finding it in a second hand store, I brought it home for a rewatch.

Gothika is a somewhat rare bird. It is produced like a straight thriller with both a cast and a budget you would not normally associate with a horror film. At least not in 2003. Except it features a rather disturbing ghost/posession type story which at least in my mind puts it clearly in the horror genre.

With that out of the way, Gothica holds up very well. It’s a creepy and still quite disturbing film. A well told story blending the ghost and horror elements into a more real world story of power, abuse and corruption.

The norwegian underground scene for horror films is growing. Killungard is just one of many proofs of this fact. The director Magne Steinsvoll has also been involved in Christmas Cruelty (2013) together with Per-Ingvar Tomren. This time he’s on his own, but delivers a solid and haunting ghost story set in the north western part of Norway.

Killungard is a good old fashioned gjost story without relying on fancy effects. The suspense is driven by the story, the performance of the actors and the visuals. Especially Nina-Shanett Arntsen is a perfect casting for the role as Anniken. Where effects has been used, they are done subtly and with great effect. A few nods to other classics of the genre has also found it’s way into the film.

I first watched an early version of the film at the Ramasksik Horror Film Festival in 2018. The DVD version that is out now has been recut and tuned a bit, and is a much tighter and coherent film than what was presented then.

All in all a great and at times creepy ghost horror story. Recommended! Go support your local independent film maker today!

I read Pet Sematary, the novel, when I was 15 or so, and really liked it at the time. Somehow, I never got sround to see the film when it came out a few years later. So when I recently found a restored version on BluRay at a discount, I figured now was as good time as any.

This is a film without any surprises — even if you have not read the novel. Once the first milestone of the plot is reached, the rest comes exactly as expected. What it does well is the way it builds up the tension. Not rushing it, but not too slow either. It feels like a decent adaptation of the novel as far as I can remember.

Where the film shows it’s age is in the performances of the cast. Stiff dialogue and a bit exagerated performances make this an interesting study of the genre and period. However it does less to make the film feel beleivable or frightening. The sole exception is the small kid (Gage, played by Miko Hughes) who does an amazing role. Especially at the end.

The film was remade in 2019, but I have not seen this version. From the trailer it looks like a much more slick and less interesting production. Younger audiences will probably prefer it though.

It Stains the Sands Red is quite an interesting and rather original Zombie flick. At the start I thought I knew where it was heading, but then it headed somewhere else entirely.

Ramaskrik 2018 was held Oct 19 - 22 of that year. This post is based on the reviews I did on my social network profile during the festival.

In April this year a group of friends organized a trip to the Dead By Dawn horror film festival in Edinburg. This was a new festival to me, even though it has been going strong for 25 whole years already! Landing in Edinburgh the day before the festival, we got to see a bit of the city, and did the mandatory intake of Haggis and Whisky. Nice town, and by the look of it, a perfect location for a horror film festival.

Another year, another Ramaskrik Horror Film Festival! As always it has been a memorable weekend filled with lots of horror movies, old and new friends, beers and generally a great time.

This report from the Ramaskrik Horror Film Festival of 2016 has taken way too long to finish. My apologies for that. We’re now only a about a month and a half away from the next Ramaskrik, which I’m very much forwards to it! Anyways here is my report from four days dedicated in full to horror films, beers and socializing with other horror fans.

Norwegian horror films are getting some attention, and there’s no reason Huset should not get it’s share too. A brand new horror film from Reinert Kiil, which at least I know best from the low budget slashers Hora (Whore) and Inside the Whore. Even though low budget, they were enjoyable films and gave promise of a director that could do interesting things given more resources.

The Devil’s Hand from 2014 (not to be confused with the film with the same title from 1961) sets a nice atmosphere, but never becomes scary nor very exciting. The plot seems pretty obvious throughout the entire movie, but the ending lifts it up a notch. Not a bad movie, it has some interesting elements, and the setting is beleivable. Still I think it will fall a bit inbetween chairs for the horror fans.

Here’s my personal summary of the Ramaskrik Horror film festival at Oppdal this year. I’ve been to Ramaskrik once before, but only for a short stop of one day. That was a very positive experience, so this year I wanted to go for the full festival.

After seeing (and loving) Livide I had some hopes for Among the Living (Original title: “Aux yeux des vivants”) from the same directors. It’s not a bad movie, but far from the masterpiece that Livide was. It never really manages to build up to a scare, even though it quite obviously tries to. The filming is nice, and the movie is well produced without really fulfilling it’s potential.